Since I was a very young child, I have loved words and figuring out how to put them together. ‘Grammar is the ground of all’, as one of my favourite authors, William Langland, puts it.
I’ve published a wide range of stories, poems, essays, film-scripts, journal articles and literary criticism. I’m now working on The Gannet Quartet, a series of novels set in stone-age Scotland.
Twin Stars
Volume 1 of The Gannet Quartet
Contact
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Poems
Counterpoint
Now, for me, the cycle of church seasons is replaced by the rhythms of birds – not just the beat of wings measured or contrapuntal notes of song but the
Possibly
There was no choice about it–improbable degrees of maybe, no way the many why’s could definitely mean what I was sure they had. Without a doubt, I doubted the wrong
qwertyoops
spoilt by soft-touch electronics even on a mechanical qwerty brain jams, keys stick/ fingers clumsied by the heavy push of levers but how full of possibilities is the slow
Blue Shift
She’s tidying the grandkids’ room shifting the red Lego box cleaning up the constellations of racing cars, glitter, hankies lifting the scruffy teddies back onto pillows, making room for the
Soul jigsaw
(A response to Wislawa Szymborska’s ‘Soul’) Soul lends time for keeps usually steps out wherever conversations form sometimes settles in for a year without shoes rarely participates when crowds mirror
Depth Charges
There is no key to my father’s lock he was made of reinforcing steel and recycled refrigerator racks welded into a portcullis for the chooks, made of jars of screws
Bush Stone-curlews – evening
Thinking that their guttering laments came each night from the garden of the old convent where two ancient nuns dodder arm-in-arm along the lawn, in the declining sun, we dubbed
Submariner
I do not rememberever holding his hand,only the dart and jabover the dinner table,my father slipping like a fishflick, twist, left, right,turncoat, backpedallerfor the joy of argument, his scarred sailor's